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The Bourne Ultimatum (Widescreen Edition) and Minority Recount (Widescreen Edition) both produced similar moments which I really dug, in which a arrive omniscient character guides his/her fleeing companion and does so with such resplendent timing and pinpoint accuracy that select is thereby avoided (Jason Bourne in one film, that psychic chick in the other) . EAGLE Witness is one extended version of these two moments, and, guess what, it doesn’t fetch faded.
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I guess this could happen, government voyeurism, what with how advanced technology’s gotten. In fact, I’ve no doubt this is happening upright now. EAGLE Watch presents a twisty spot, the soup of which blends Substantial Brother paranoia, the techno thriller, the shadow of terrorism, a whiff of Skynet, and the classic man on the rush theme. EAGLE Scrutinize tells of two strangers - Jerry Shaw, the slacker copy boy (excuse me, “copy associate”) from Copy Cabana and Rachel, the stressed single mom/paralegal - suddenly flung together by a mysterious (and dang pushy) female who gives them brisk instructions over their cell phones, forcing them to frenetically speed and jump around, drive like they’ve got to consume the bathroom, bear up a pair of security guards for a briefcase (of which contents are a letdown, by the device), and even sneak onboard a military cargo plane. And those are fair for starters…
The most sharp fraction of the film, for me, was learning what was up with the voicy screech, who’s cornered Jerry by framing him as a terrorist and cornered Rachel by threatening to demolish her son. Noteworthy of the suspense leaks out once the film drops the 411 on the cell phone taskmaster. EAGLE Study is escapist cinema which may have started out intending to develop some sort of famous political and social statement but then kind of shrugged it off halfway thru the film. There’s no dearth of far-fetched moments (like, on the stammer, where there impartial happened to be a conveniently snoozing stranger with a celly sitting correct across from Shia or Rachel being so out-of-the-blue pleasurable with a firearm) . But the third act really goes ape-shiznit with the preposterous as the Ample Bad’s plans coalesce and imperil the nation’s highest offices. The film’s immense crescendo echoes the climax scene from Hitchcock’s The Man Who Knew Too Powerful.
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Will Smith’s ENEMY OF THE Space and the Bourne series have already demonstrated that the government can check up on us by accessing security, surveillance, and traffic cameras, as well as cell phones. EAGLE Stare one-ups these films by featuring an antagonist who is more far reaching, more omnipresent. The roar not only can track any person anytime, anywhere, by tapping into the nation’s electronic data grid, but she can remotely control cessation lights, steer elevated trains, position off power lines, and even grasp over military aircrafts. When our heroes go on the rush (and don’t really have time to chat on the cell), they collect good directions from various electronic billboard signs, readout displays and monitor screens. So, unless you’re Amish, there’s no escaping the nagging declare.
Shia LaBeouf lost some cred with me for his vine-swinging fraction in the latest Indiana Jones flick. Here, he’s decent but this really isn’t a platform to indicate off his acting chops, slave as the report is to the mercurial prick edits, flashy stunts and loud pyrotechnics. LaBeouf’s characer has a few moments to do his surly, angst-ridden bit (what with his listless twin brother being the brighter light in the family), but he and lead actress Michelle Monaghan actually near off more as chess pieces being shuffled about by the all much entity to progress its dim ruin game. Julianne Moore plays the mysterious stutter on the phone, managing to sound impersonal yet officiously sexy. Billy Bob Thornton is grand as the undeterred FBI guy and Rosario Dawson is wasted as Air Force OSI Agent Zoey Perez trying to fraction it all together. Thornton, by the scheme, comes up with the best line in the film, as he chews out his underlings: “If I don’t rep some pleasant leads soon, you’re all gonna be demoted into something that’s gonna require touching $#!t with your hands!”
So, why am I four-starring this film? Because, in spite of the over-the-top beats, I got twisted into the premise enough that I had to watch it thru to the destroy. And it may be loud and sometimes incoherent, but, damn if I didn’t delight in the wild bound. I mediate the key is that the film moves at such a frenetic trot that it forces you to shift your focus from one sequence to the next. You might fair have enough time to ponder the implausibility of whatever’s on the cover, but then you almost immediately come by distracted with the next implausible thing on the hide. It’s sleight-of-hand trickeration, is what it is. And, in the final tally, I had a generous time (and, yes, fragment of the friendly time was spent making fun of the film) .
As for the government accessing our electronic devices, that would certainly account for why I’m so sucky at Tetris on my cell phone. Now I notice that it’s the government conducting cyber terrorism. Those finks.
Eagle Stare is based on a Spielberg view and executive produced by him. Spielberg is celebrated for successfully incorporating technical elements from well-known films and directors into his fill films but never quite developing his characters equal to the masters. Taking a cue from Spielberg, director D.J. Caruso has decided to shoot a film that is virtually all action and has virtually no character development. Catch Shia LaBeouf’s character, ‘Jerry Shaw’. LaBeouf’s plays him over the top, constantly exasperated and fighting with everybody, starting with his father (who he hates), spurning his offer to pay his tuition and return to college at Stanford where he had dropped out two years earlier. There is virtually nothing likable about our protagonist from the beginning! When a secret Department of Defense computer named Aria goes berserk and deposits over $700,000 into Shaw’s bank legend and then dumps a cache of terrorists’ weapons in his apartment, leading to his arrest by the FBI, Shaw has to figure out who has area him up. He ends up escaping from the FBI’s clutches with the back of the computer and then being paired with Michelle Monaghan who plays ‘Rachel Holloman’, a divorced single mother.
Jerry and Rachel are ordered about by this computer under injure of death to go to and fro to all kinds of crazy locations, fulfilling the computer’s various commands that don’t seem to have a discernible purpose. The computer stays in contact with our two protagonists by all means of computer connected gadgetry (principally cell phones) but also at times through electronic devices (such as LCD screens at the subway) that are not ostensibly connected to computers. At first Jerry and Rachel are yelling at each other all the time but gradually arrive to realize that they have been victimized by a celebrated enemy. In addition to surviving numerous car chases (which are edited so poorly, it’s often impossible to know what’s going on), they suddenly accept the moxie to disarm armored truck guards. Meanwhile, they’re being chased by an FBI agent played by an unhealthy looking Billy Bob Thornton who injects no humor, charm or wit into the role. The same goes for Zoe Perez who plays a Department of Defense investigator who eventually discovers why the computer has gone berserk. It seems that the computer has decided to eliminate the President and his underlings after the Military fails to effect its advice to abort a mission to waste a terrorist utilizing a drone somewhere in Afghanistan (or some nearby terrorist haven) . The computer was ‘locked’ at the last second by Shaw’s twin brother who mysteriously dies in a car accident at the beginning of the movie. The computer needs Jerry to unlock the articulate and eventually summons him to her lair.
Eagle Notice borrows heavily from honorable films such as I, Robot and Terminator II where the protagonist must disable the computer to preserve it from committing its faulty acts. I can’t remember the staunch manner in which Zoe Perez actually disables “Aria” here in Eagle Peep but the computer ‘takedown’ by Will Smith and Arnold Schwarzenegger in their respective films is great more absorbing and sophisticated than what is depicted here.
In an awkward tribute to Hitchcock’s “The Man Who Knew Too Grand”, Shia is given the Jimmy Stewart portion where he must prevent Rachel’s son from hitting a high mark while playing the Star Spangled Banner on his trumpet at the White House. The brand will trigger an explosion that will eliminate the US chain of train from the President on down (In “The Man Who Knew Too Worthy”, Jimmy Stewart must prevent the assassination of a world leader while a symphony orchestra also hits a ‘high note–masking the sound of the assassin’s bullet) . In addition to LaBeouf’s one-note performance, my main quandary with the film was that I couldn’t understand why such a logical entity as a computer would be so illogical in constructing such a convoluted location to attain its goals. What’s surprising about Eagle Discover is that it actually starts out realistically (the botched terrorist strike actually looks like something that could happen!) . I understand that action-adventure films aren’t supposed to be ‘realistic’ but shouldn’t they conform to some kind of internal logical? Unfortunately, logic is almost completely lacking here.
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