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This intelligent portrait of Hitler in his wanning days is nothing short of shapely. This movie combines drama with documentry. Actually footage is cleverly interspaced during the movie to provide ugly reality checks to the bizarre events occuring in the bunker. In this movie we can stare how Hitler became the victim of his have doomsday prophetcies. His cruelty remained with him to the last, and Guiness provides a emotional eye at the last few days of his life. There will certainly be a debate over this movie and “The Bunker” with Anthony Hopkins. For me this was always the better film in terms of its intensity. The movie almost seems like a play and it moves along snappy to its bitter conclude. Some may assume Guinness is too high strung in his Hitler, but his acting is nonetheless trustworthy. Its seems almost like playing Hitler has become a main theatrical role to play. If so then Alec Guinness provides the leading example.
… … …I opinion this film was an unparalleled masterpiece of the fusion of cinema and Proper history. I am a total World War buff and I can issue by watching this film that the filmmakers based worthy of this on the testimony of Hitler’s private secretary, Traudl Junge, who was with the Fuhrer in the bunker and was friends with Eva Braun, as well as Albert Speer and other survivors who had first hand contact with Hitler and knew what the atmosphere was like down in that dank, somber, surreal and depressing bunker. The whole feel that they are out of touch with everything and live in some mystical, surreal existence is captured to perfection (Traudl Junge testified to that fact) . I have read Toland’s “Hitler,” as well as numerous books about the war and Hitler’s character, including “Hitler’s Mind: the Secret Wartime Recount,” and I can shriek you that Alec Guiness’ portrayal of Hitler is nothing short of a miracle. Hopkins’ portrayal in The Bunker is your typical wrathful, raging and over the top Hitler that we are broken-down to seeing. He did a terrible job and that film is vastly scandalous to this one. Guiness must have had a actual, personal interest in Hitler as a character and figure, and when he combines that with his amazingly shiny acting talent, the results are as if you are watching what it was really like to know and deal with Hitler during those last days of the war. The understated psychotic zeal, the moments of romantic extravagance, the oh so Germanic and Wagnerian tragic sensibility of either total victory and domination or absolute destruction and annihilation of the German people, they’re all portrayed here with valid subtlety. Indeed, Wagner’s valorous Lohengrin is played to big enact in the opening scene in one of the most fine juxtapositions I have ever seen in film. This is sheer genius. Somebody said that this is a foreign production. It’s got to be British; only the Brits can acquire something of such aesthetic accuracy backed up by a wonderfully subtle artistry with underlying themes of the apocalypse. One can jabber that The Bunker is an American production, so vastly sinister to this in that it has literally no subtext. Hitler: The Last Ten Days is a great achievement, rich and even philosophical in its portrayals. There is so powerful to this grand film I cannot continue anymore. Never again will Hitler be portrayed so accurately by an actor. Alec Guiness, you are (or were) the Man! Assume this film now!
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